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Staff Profiles


About Newt
Purveyor of Pop Culture, Professor of Pro Wrestling and award winning amateur scientist, Newton Gimmick founded and currently runs InfiniteHollywood.com. Newton has written for various websites such as 411mania and TNAWrestlingNews, before venturing out to stake his own claim of cyberspace in 2007. One of many web writers not afraid to profess his love of 80's cartoons, toys, pseudo sports and Jem. What makes Newton unique from the others? He does it all from the comfort of his custom, Denver: The Last Dinosaur Snuggie.


About Wesitron
Being the odd man out was always hard for Wesitron. Born a southpaw on the mean streets of the Bluegrass State, he learned to fight and claw for acceptance against his oppressors. “Lefties are people, too” they condescended. And with a smirk does he sip his Diet Dr. Thunder, for he is both cunning and refined. A smirk, dear friends, which always points to the left.


About Jon
The newest member of the crew, Jon's our resident Beastmaster. Not just because he looks like Marc Singer, but because he lives with a guinea pig. Also, one time he wrestled bare with bear hands. Yeah, think about that one for a minute.


About Rob
What does one do with a Master’s degree in English? Why, write movie reviews, of course! Rob lives in scenic Michigan, where, during the 13 months of winter his state is blessed with, he keeps himself warm watching good, bad, and ugly science fiction films. No premise is too shaky, no prequel is too shady, and no rubber monster is too, er, rubbery to dissuade his viewing.


About Bill
Bill White has worked with nearly every comic book publisher on the planet. His highlights include comics for Casper, Donald Duck and Scooby-Doo! His work has also been in the animation field where he contributed on Ren & Stimpy and Inspector Gadget, among others. His own creation, Kaptain Keen and Kompany is in the process of being compiled for a complete collection. Any artwork on this site that's worth a damn, has probably been drawn by Bill! Check out his website at: Bill White Cartoons and tell him how much you love his artwork here!


All this week we've been looking at Kaiju or Japanese Giant Monsters and that continues here tonight with a special look at a handful of my favorite Bandai vinyl figures. Some from Bandai's American branch, Bandai Creation and some from Bandai Japan. We've got some heavy hitters here, so let's dive right in!


We begin with the original himself, Godzilla 1954! This sculpt has been released both in Japan as well as through Bandai Creation although it's slightly different. I didn't pick up the Bandai Creation version (though now I wish I had) because I have this version from Japan. It's basically the same mold, although it's been upscaled a bit and slightly changed around. His arms for example seem leaner on the Creation version.


The tag is pretty spiffy and I must confess this figure looks incredibly on model. Godzilla looked pretty different in his first appearance, most notably he had ears! This Bandai figure reflects all the subtle details that were on this specific version. I'm sure Raymond Burr would be proud.


The paint work is decent but I'm not a big fan of the white wash on the chest and knees. What's up with giving Godzilla a big patch of paint on his chest? Maybe the Imperial Godzilla wasn't so off model after all?


The paint work is a little sloppy on the nails and fins, which seems to be a trend with Bandai. They sort of spray paint the figures and it gives an often uneven look to them. People rag on Bandai Creations, but they tend to paint their figures better than most. Godzilla has articulation in the arms, legs and tail.


Next up we have Gamera from the 1999 film, Gamera III: Incomplete Struggle or Revenge of Iris depending on what version you're watching. Personally this was probably my least favorite Gamera design, despite being probably the best Gamera movie. In this film Gamera has fully evolved or mutated to the point where he looks like a big nasty snapping turtle.


This is one of the easier Bandai vinyls to get from Japan, but it's a great sculpt. There are a plethora of versions of this figure, mostly repaints or ones molded in different colors. If you look around you can find some really pretty cool versions out there. For my money this was the best version because it was the most normal.


Despite being one of the most normal versions of Gamera from Gamera III, his shell is still painted in an odd metallic green. It's bright and kind of annoying. His chest is painted in a metallic gold as well, but that actually works better than the shell. It's a shame the paint isn't better because the figure is very impressive.


Gamera moves at the head somewhat, legs, arms and tail. It's nothing fancy and the arms are in a position that you don't have a great range of poses, but with Gamera's design they always seem to struggle to make him poseable. This is still a good figure if you're into Bandai vinyl.


Finally we have Godzilla 68. This Godzilla is based off of his 1968 appearance and for many this is the definitive 60's Godzilla. Some prefer the Japanese version of this figure, but I'm actually more fond of the Bandai Creation take on it.


The colors on both the Japanese and American version are identical, with a slightly too dark skin tone and pink inside the mouth. Some collectors don't like that, but it is what it is. If I was a talented painter, I'd put a real light dry brush of green over his whole body and I think that would make him pop. The only area I prefer the Japanese version is the eyes. Bandai Creation had some slop with the eyes.


All in all I find this Godzilla encompasses a lot of the 60's look without being an identical model to 68. I enjoy that element but your mileage may vary. Regardless, this is a great Godzilla figure and can still be found at most local TRUs. He moves at the legs, arms and tail.